Author Archive | Sue

Opera and Oratorio

The story has it that Handel’s main reason for developing the oratorio further was the fact that the popularity of his operas was starting to wane, and it was becoming increasingly difficult to find producers willing to put up the money. An oratorio was a great deal easier to finance…

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Introducing… the Philharmonia Voices

This is a brilliant young choir, like our soloist, Edward Grint, perfect for this oratorio, which, based on the work of a nineteen-year-old Robert Graves, and written by a young composer, is fresh, passionate, and electrifying.

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BRSLI Talk on Oratorio on October 22nd.

The Cool Web is an oratorio based on the poems Robert Graves wrote at the front as a young officer. As such, it offers a moving glimpse of a poet struggling to write about an unbearable experience as it happened. In this talk Sue Curtis, the compiler, talks about the poems she and Jools Scott […]

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